Suprapictorialism: Our seven guiding points

1. We distinguish between the pictorial image and the totalizing image; we are interested in the latter.

2. Painting is not the negation of the wall, but rather the wall participates in its meaning.

3. Therefore, painting can present holes, irregularities, and other distortions.

4. The frame is open, often discontinuous, allowing the union between the pictorial image and its surroundings, thus achieving the totalizing image.

5. The above can be applied to all types of abstract and figurative expressions.

6. As for colors, we usually use saturated and contrasting inks.

7. At least, in some spots...paint and wall will come together.