This is a result of applying the concepts that gave rise to the Deep Painting style, which aims for an epistemic gain. In this case, by shifting the frontal plane toward the viewer, we discover what Velázquez portrays. I reiterate that Deep Painting (and its diagonal, piecemeal, outward or inward displacement of the frontal plane) challenges the idea that visual knowledge is superficial. Cubism left behind the other characteristic, namely, the one-sidedness of visual knowledge.