Due to the irregularities (holes, broken frames, etc.) of the canvas, new colors are incorporated, as well as different textures or a combination of both. Consequently, the pictorial image expands through its different interactions with the wall. Another way to achieve interaction is by perceptibly adding textures to the image. By FRED AMA

Suprapictorialism: Subtractive & Additive The relationship between the painting and the wall can be achieved in three ways: (1) by adding elements to the painting, which should provoke an interactive range of visual meanings; (2) by subtracting parts of the painting (e.g., with holes, broken frames, or other irregularities), which should achieve a dynamic interaction…

Suprapictorialism, supra-pictorialism, or suprapictorial style: From another perspective, this movement moves between two poles: on the one hand, the empty wall, and on the other, the wall with a painting (which is the negation of the wall). In other words, suprapictorialism is a bridge between these two extremes. Therefore, we will find works closer to…

We are surrounded by tools, that is, objects that fulfill at least one function. But Heidegger teaches us…