Category: + Concepts
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Why is Deep Painting doubly profound?
Why is Deep Painting doubly profound? Because, on the one hand, by sinking or placing the foreground (frontal) at a greater depth, a gain of knowledge is produced; on the other hand, it is Deep because it breaks or challenges the usual characterization that visual knowledge is superficial.
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MY SOUP
MY SOUP: This is the result of applying the concepts that gave rise to the Deep Painting style, which seeks an epistemic gain. In this case, by diagonally indenting the frontal plane, we discover what each can contains (beyond the label, which is ink on paper) painted by Warhol. I reiterate that Deep Painting (and…
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My Meninas
This is a result of applying the concepts that gave rise to the Deep Painting style, which aims for an epistemic gain. In this case, by shifting the frontal plane toward the viewer, we discover what Velázquez portrays. I reiterate that Deep Painting (and its diagonal, piecemeal, outward or inward displacement of the frontal plane)…
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The sinking of the frontal plane !!!
As I said, one of the characteristics attributed to visual knowledge is that it is superficial – in addition to being unilateral – but this occurs because the frontal plane (red line) is taken and behind it the figures + background, but with Deep Painting I sink the foreground (light blue lines) and with this,…
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A ninth way…
A ninth way to create Neo-poster images is to use words or phrases that fill almost the entire poster and only at the margin can you see that they are letters, this makes them blend in with the background and takes away the prominence of the letter.
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Another deep image !
We see another example of a deep image (which is unlikely to be immediately apparent) that refutes the old idea that visual knowledge is superficial. As we can see, I’ve deepened the foreground, allowing us to “see” the contents of the cup, as well as the sandwich and the wood of the table. In short,…
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Deep-Paintings
Visual knowledge is unilateral and superficial. Cubism gave an answer for the first, for the second I invented DEEP-PAINTINGS
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The First Deep-painting !
Today I can show the first DEEP PAINTING that refutes the classical idea that visual knowledge is superficial. Perhaps it won’t be understood at first, but the idea is to move the foreground, parallel or obliquely, to the background of the painting. By doing so, certain objects and figures are cut off, allowing us to…
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DEEPAINTING
In April 2023 I wrote “Visual knowledge is unilateral and superficial. Cubism gave an answer for the first, for the second I paint” Today I can offer a visual answer to the second question. Perhaps it won’t be immediately clear, but the idea is to move the foreground, parallel or obliquely, to the background of…
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An eighth way…
An eighth way to create Neo-poster images is to use phrases that reinforce or contradict the meaning of what is written, for example, writing “Do not scratch walls” on a wall.