MY SOUP: This is the result of applying the concepts that gave rise to the Deep Painting style, which seeks an epistemic gain. In this case, by diagonally indenting the frontal plane, we discover what each can contains (beyond the label, which is ink on paper) painted by Warhol. I reiterate that Deep Painting (and its fragmented, diagonal displacement, either outward or inward from the frontal plane) challenges the idea that visual knowledge is superficial. Cubism left behind the other characteristic, namely, the one-sidedness of visual knowledge.